{"id":69,"date":"2026-05-06T15:19:54","date_gmt":"2026-05-06T15:19:54","guid":{"rendered":"https:\/\/helenafeder.com\/?page_id=69"},"modified":"2026-05-08T15:48:24","modified_gmt":"2026-05-08T15:48:24","slug":"about","status":"publish","type":"page","link":"https:\/\/helenafeder.com\/?page_id=69","title":{"rendered":"About"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-768x1024.jpeg\" alt=\"\" class=\"wp-image-157\" style=\"aspect-ratio:0.7500058711631948;width:415px;height:auto\" srcset=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-768x1024.jpeg 768w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-225x300.jpeg 225w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-1152x1536.jpeg 1152w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-1536x2048.jpeg 1536w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-300x400.jpeg 300w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-850x1133.jpeg 850w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>Helena Feder <\/strong>has published essays, interviews, and poems in venues including <em>North American Review, The Georgia Review, Radical Philosophy, Orion, ISLE, ASAP\/Journal, The Writer&#8217;s Chronicle, Another Chicago Magazine, After the Art, Guernica, Green Letters, Western American Literature, Tikkun, The Branches, Critical Read,<\/em> and <em>Terrain.org<\/em>. Helena is Professor of Environmental Humanities at ECU and Editor of the national journal <em>Tar River Poetry<\/em> (www.tarriverpoetry.com). She&#8217;s the author of <em>Ecocriticism and the Idea of Culture<\/em> (Routledge) and editor of <em>Close Reading the Anthropocene <\/em>(Routledge) and <em>You Are the River<\/em> (seventy-five literary responses to work in the North Carolina Museum of Art, published by the NCMA). <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Her first creative book, <em>Cat Woman in Dog Country<\/em>, is forthcoming with University of Alabama Press in March 2027.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-1024x768.jpg\" alt=\"\" class=\"wp-image-72\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-1024x768.jpg 1024w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-300x225.jpg 300w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-768x576.jpg 768w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-850x638.jpg 850w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>You can purchase these books here:<\/strong><\/p>\n\n\n\n<p>Editor. <em>Close Reading the Anthropocene. <\/em>Routledge<em>, <\/em>2021.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.routledge.com\/Close-Reading-the-Anthropocene\/Feder\/p\/book\/9780367466596\">https:\/\/www.routledge.com\/Close-Reading-the-Anthropocene\/Feder\/p\/book\/9780367466596<\/a><\/p>\n\n\n\n<p>Editor. <em>You Are the River: Literature Inspired by the North Carolina Museum of Art.<\/em> NCMA, 2021.<\/p>\n\n\n\n<p><a href=\"https:\/\/visit.ncartmuseum.org\/3076\/3897\">https:\/\/visit.ncartmuseum.org\/3076\/3897<\/a><\/p>\n\n\n\n<p><em>Ecocriticism and the Idea of Culture: Biology and the Bildungsroman<\/em>. Routledge, 2014 (paperback 2016).<\/p>\n\n\n\n<p><a href=\"https:\/\/www.routledge.com\/Ecocriticism-and-the-Idea-of-Culture-Biology-and-the-Bildungsroman\/Feder\/p\/book\/9781138249851\">https:\/\/www.routledge.com\/Ecocriticism-and-the-Idea-of-Culture-Biology-and-the-Bildungsroman\/Feder\/p\/book\/9781138249851<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>And you can read poems, essays, and stories here<\/strong>:<\/p>\n\n\n\n<p>\u201cLove of Country.\u201d Poem. <em>North American Review<\/em> [forthcoming, 2027]<\/p>\n\n\n\n<p>\u201cFig Greed.\u201d Essay. <em>Terrain.org<\/em> [forthcoming, December 2026]<\/p>\n\n\n\n<p>\u201cIn the Pink.\u201d Fiction. <em>Defenestration.<\/em> March 2026. <a href=\"https:\/\/www.defenestrationmag.net\/2026\/03\/in-the-pink-by-helena-feder\/\">https:\/\/www.defenestrationmag.net\/2026\/03\/in-the-pink-by-helena-feder\/<\/a><\/p>\n\n\n\n<p><strong>\u201c<\/strong>Fast Extinction, Slow Art: on work by Henry Ossawa Tanner and Neil Welliver.\u201d Essay. <em>ASAP\/Journal,<\/em> December 15, 2025. <a href=\"https:\/\/asapjournal.com\/feature\/fast-extinction-slow-art-on-work-by-henry-ossawa-tanner-and-neil-welliver\/\">https:\/\/asapjournal.com\/feature\/fast-extinction-slow-art-on-work-by-henry-ossawa-tanner-and-neil-welliver\/<\/a><\/p>\n\n\n\n<p>\u201cViolence.\u201d Poem. <em>The Branches.<\/em> 3. (Fall 2025).<\/p>\n\n\n\n<p>\u201cCamouflaged.\u201d Poem. <em>New Verse Review<\/em>. 2.4, (October 2025). <a href=\"https:\/\/www.newversereview.com\/issue-2-4--Halloween-2025#H25_Helena_Feder_Poem_Camoflauged\">https:\/\/www.newversereview.com\/issue-2-4&#8211;Halloween-2025#H25_Helena_Feder_Poem_Camoflauged<\/a><\/p>\n\n\n\n<p>\u201cSchizophrenic Sedona.\u201d Essay. <em>North American Review<\/em>. June 16, 2025. <a href=\"https:\/\/northamericanreview.org\/open-space\/2025\/helena-feder\/schizophrenic-sedona\">https:\/\/northamericanreview.org\/open-space\/2025\/helena-feder\/schizophrenic-sedona<\/a><\/p>\n\n\n\n<p>\u201cFrench Food for the \u2018New Woman.\u2019\u201d Essay. <em>North American Review<\/em>. October 24, 2024. <a href=\"https:\/\/northamericanreview.org\/open-space\/review-essay-helena-feder\">https:\/\/northamericanreview.org\/open-space\/review-essay-helena-feder<\/a><\/p>\n\n\n\n<p>\u201cE pluribus unum.\u201d Poem. <em>A Human Art<\/em>. September 2024. https:\/\/virtual-exhibit-platform.pages.dev\/country-doctor\/a-human-art\/ <\/p>\n\n\n\n<p>\u201cMen Love Peppy Girls.\u201d Poem. <em>A Human Art<\/em>. September 2024. https:\/\/virtual-exhibit-platform.pages.dev\/country-doctor\/a-human-art\/<\/p>\n\n\n\n<p>\u201cEcstatic Truth.\u201d Poem. <em>North American Review<\/em>. 309.2 (Summer 2024). 97.<\/p>\n\n\n\n<p>\u201cAgainst the Grain.\u201d Poem. <em>North American Review<\/em>. 308.3 (Fall 2023). 43.<\/p>\n\n\n\n<p>\u201cWhat It\u2019s Like to Be a Bat.\u201d Poem. <em>North American Review<\/em>. 308.3 (Fall 2023). 43.<\/p>\n\n\n\n<p>\u201cInstallation.\u201d Poem. <em>The Ekphrastic Review.<\/em> June 2023.<\/p>\n\n\n\n<p>\u201cThree Sisters.\u201d Flash fiction. <em>The Ekphrastic Review.<\/em> January 2022.<\/p>\n\n\n\n<p>\u201cStealing Hunters in the Snow.\u201d Creative nonfiction. <em>Critical Read<\/em>. July 2021.<\/p>\n\n\n\n<p>\u201cCloud Chamber.\u201d Poem. <em>You Are the River.<\/em> NCMA, 2021. 148.<\/p>\n\n\n\n<p>\u201cCold Inside.\u201d Creative nonfiction\/essay. <em>Guernica<\/em>. November 2020.<\/p>\n\n\n\n<p>\u201cPortrait of a Gentleman.\u201d Creative nonfiction. <em>After the Art<\/em>. September 2020.<\/p>\n\n\n\n<p>\u201cIt\u2019s Springtime.\u201d Poem<em>. ISLE.<\/em> 26.4 (Autumn 2019). 1119\u20131120.<\/p>\n\n\n\n<p>&#8220;Necessity Creates the World.&#8221; Poem. <em>ISLE<\/em>. 26.4 (Autumn 2019). 1120-1121.<\/p>\n\n\n\n<p>\u201cBeasts Among Us.\u201d Creative nonfiction\/fiction. <em>ISLE<\/em><em>. <\/em>23.2 (Spring 2016). 422-443.<\/p>\n\n\n\n<p>\u201cThe Hard Facts of Life.\u201d&nbsp; Poem. <em>ISLE<\/em>. 23.4 (Autumn 2016). 886-887.<\/p>\n\n\n\n<p>\u201cThe Ineffable Pull of Being Animal.\u201d Poem. <em>ISLE<\/em><em>.<\/em> 23.4 (Autumn 2016). 887-888.<\/p>\n\n\n\n<p>\u201cPeeling Eggs.\u201d Poem. <em>North American Review<\/em>. 301.4 (Fall 2016). 14.<\/p>\n\n\n\n<p>\u201cOff Balance.\u201d Essay. <em>North American Review.<\/em> October 2016.<\/p>\n\n\n\n<p>\u201cJardin des Plantes.\u201d Poem, in \u201cBeasts Among Us.\u201d <em>ISLE.<\/em>23.2 (Spring 2016). 437.<\/p>\n\n\n\n<p><strong>Interviews:<\/strong><\/p>\n\n\n\n<p>\u201cWild Culture: A Conversation with Hal Whitehead.\u201d <em>Terrain.<\/em>org, April 11, 2025. <a href=\"https:\/\/www.terrain.org\/2025\/interviews\/hal-whitehead\/\">https:\/\/www.terrain.org\/2025\/interviews\/hal-whitehead\/<\/a><\/p>\n\n\n\n<p>\u201cAllegories for the Future: A Conversation with Lydia Millet.\u201d <em>The Writer\u2019s Chronicle. <\/em>February 2024.<\/p>\n\n\n\n<p>\u201cThe Mystical Character of Mechanical Determinism: A Conversation with Robert Sapolsky.\u201d <em>Tikkun.<\/em> November 29, 2023.<\/p>\n\n\n\n<p>\u201cMore Fully, More Delicately Alive with Jane Hirshfield.\u201d <em>The Writer\u2019s Chronicle.<\/em> September 2023.<\/p>\n\n\n\n<p>\u201cThe Art of Living: A Conversation with Chimamanda Adichie.\u201d <em>The Writer\u2019s Chronicle. <\/em>April 2023.<\/p>\n\n\n\n<p>\u201cCathleen Schine and the Comic Tradition.\u201d <em>The Writer\u2019s Chronicle.<\/em> September 2022.<\/p>\n\n\n\n<p>\u201cBeautiful Impermanence: an Interview with Sculptor Patrick Dougherty.\u201d <em>Orion<\/em>. June 2022. <a href=\"https:\/\/orionmagazine.org\/article\/beautiful-impermanence-an-interview-with-sculptor-patrick-dougherty\/\">https:\/\/orionmagazine.org\/article\/beautiful-impermanence-an-interview-with-sculptor-patrick-dougherty\/<\/a><\/p>\n\n\n\n<p>\u201cDorianne Laux, Elegiac Witness.\u201d <em>The Writer\u2019s Chronicle<\/em>. 54.2 (November 2021). 16-25.<\/p>\n\n\n\n<p>\u201cLove is the Great Subject with Rebecca Newberger Goldstein.\u201d <em>ASAP\/Journal<\/em> 6.1 (January 2021). 29-48.<\/p>\n\n\n\n<p>\u201cConcrete Breathes: A Conversation with Ledelle Moe.\u201d <em>Another Chicago Magazine<\/em>. October 15, 2020.<\/p>\n\n\n\n<p>\u201cContradiction Is Not Disappointing: an Interview with Michael Hardt.\u201d <em>Capitalism Nature Socialism<\/em>. 31:3 (August 2020). 42-58.<\/p>\n\n\n\n<p>\u201cDreaming the Real with Marianne Boruch.\u201d <em>The Writer\u2019s Chronicle<\/em>. 52.3 (February 2020). 18-26.<\/p>\n\n\n\n<p>\u201cScience and Social Change: A Conversation with Robert Sapolsky.\u201d <em>ISLE. <\/em>26.3 (Summer 2019). 793-808.<\/p>\n\n\n\n<p>\u201c\u2018Never Waste a Good Crisis;\u2019 an Interview with Mary Mellor.\u201d <em>Capitalism Nature Socialism<\/em>. 30.4 (December 2019). 44-54.<\/p>\n\n\n\n<p>\u201cHints of Insurrection: A Conversation with Stephen Dunn.\u201d <em>The Georgia Review<\/em>. (Summer 2018). 72.2.&nbsp;414-428.<\/p>\n\n\n\n<p>\u201c\u2018The Realism of Our Time\u2019: An Interview with Kim Stanley Robinson.\u201d <em>Radical Philosophy.<\/em> 2.1. 2017.<\/p>\n\n\n\n<p>\u201c\u2018What We Talk About When We Talk About Culture:\u2019 Frans de Waal on Science, Morality, and the Human Animal.\u201d <em>Green Letters. <\/em>21.2 (2017). 199-212.<\/p>\n\n\n\n<p>\u201cThe Universe Is Imaginative: the Art of David Robertson.\u201d <em>Western American Literature.<\/em> 52.3 (Fall 2017). 243-266.<\/p>\n\n\n\n<p>\u201cThis <em>Still<\/em> Present Moment: An Interview with Gary Snyder.\u201d <em>North American Review<\/em>. 301.4 (Fall 2016). 41-47.<\/p>\n\n\n\n<p>\u201cChanging Nature: Stacy Alaimo and Cary Wolfe at ASLE.\u201d <em>ISLE<\/em>. 21.4 (Autumn 2014). 873-893.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Helena Feder has published essays, interviews, and poems in venues including North American Review, The Georgia Review, Radical Philosophy, Orion, ISLE, ASAP\/Journal, The Writer&#8217;s Chronicle, Another Chicago Magazine, After the Art, Guernica, Green Letters, Western American Literature, Tikkun, The Branches, Critical Read, and Terrain.org. Helena is Professor of Environmental Humanities at ECU and Editor of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-69","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/helenafeder.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=69"}],"version-history":[{"count":5,"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages\/69\/revisions"}],"predecessor-version":[{"id":197,"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages\/69\/revisions\/197"}],"wp:attachment":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}