{"id":69,"date":"2026-05-06T15:19:54","date_gmt":"2026-05-06T15:19:54","guid":{"rendered":"https:\/\/helenafeder.com\/?page_id=69"},"modified":"2026-07-16T17:14:25","modified_gmt":"2026-07-16T17:14:25","slug":"about","status":"publish","type":"page","link":"https:\/\/helenafeder.com\/?page_id=69","title":{"rendered":"About"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-768x1024.jpeg\" alt=\"\" class=\"wp-image-157\" style=\"aspect-ratio:0.7500058711631948;width:415px;height:auto\" srcset=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-768x1024.jpeg 768w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-225x300.jpeg 225w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-1152x1536.jpeg 1152w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-1536x2048.jpeg 1536w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-300x400.jpeg 300w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-850x1133.jpeg 850w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_1951-1-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Helena Feder <\/strong>has published essays, interviews, and poems in venues including <em>North American Review, The Georgia Review, Radical Philosophy, Orion, ISLE, ASAP\/Journal, The Writer&#8217;s Chronicle, Another Chicago Magazine, After the Art, Guernica, Green Letters, Western American Literature, Tikkun, The Branches, Critical Read,<\/em> and <em>Terrain.org<\/em>. Helena is Professor of Environmental Humanities at ECU and Editor of the national journal <em>Tar River Poetry<\/em> (www.tarriverpoetry.com). She&#8217;s the author of <em>Ecocriticism and the Idea of Culture<\/em> (Routledge) and editor of <em>Close Reading the Anthropocene <\/em>(Routledge) and <em>You Are the River<\/em> (seventy-five literary responses to work in the North Carolina Museum of Art, published by the NCMA). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her first creative book, <em>Cat Woman in Dog Country<\/em>, is forthcoming with University of Alabama Press in March 2027.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-1024x768.jpg\" alt=\"\" class=\"wp-image-72\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-1024x768.jpg 1024w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-300x225.jpg 300w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-768x576.jpg 768w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2-850x638.jpg 850w, https:\/\/helenafeder.com\/wp-content\/uploads\/2026\/05\/IMG_9187-1-1536x1152-2.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Books:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Editor. <em>Close Reading the Anthropocene. <\/em>Routledge<em>, <\/em>2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Editor. <em>You Are the River: Literature Inspired by the North Carolina Museum of Art.<\/em> NCMA, 2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Ecocriticism and the Idea of Culture: Biology and the Bildungsroman<\/em>. Routledge, 2014 (paperback 2016).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Selected prose <\/strong>:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cFig Greed.\u201d <em>Terrain.org<\/em>. [forthcoming, 2027]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c<a href=\"https:\/\/www.defenestrationmag.net\/2026\/03\/in-the-pink-by-helena-feder\/\">In the Pink<\/a>.\u201d <em>Defenestration.<\/em> March 2026.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u201c<\/strong><a href=\"https:\/\/asapjournal.com\/feature\/fast-extinction-slow-art-on-work-by-henry-ossawa-tanner-and-neil-welliver\/\">Fast Extinction, Slow Art: on work by Henry Ossawa Tanner and Neil Welliver<\/a>.\u201d <em>ASAP\/Journal,<\/em> December 15, 2025. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c<a href=\"https:\/\/northamericanreview.org\/open-space\/2025\/helena-feder\/schizophrenic-sedona\">Schizophrenic Sedona.<\/a>\u201d <em>North American Review<\/em>. June 16, 2025. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c<a href=\"https:\/\/northamericanreview.org\/open-space\/review-essay-helena-feder\">French Food for the \u2018New Woman<\/a>.\u2019\u201d <em>North American Review<\/em>. October 24, 2024. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cStealing Hunters in the Snow.\u201d <em>Critical Read<\/em>. July 2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Selected Interviews:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c<a href=\"https:\/\/www.terrain.org\/2025\/interviews\/hal-whitehead\/\">Wild Culture: A Conversation with Hal Whitehead<\/a>.\u201d <em>Terrain.<\/em>org, April 11, 2025. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cAllegories for the Future: A Conversation with Lydia Millet.\u201d <em>The Writer\u2019s Chronicle. <\/em>February 2024.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Mystical Character of Mechanical Determinism: A Conversation with Robert Sapolsky.\u201d <em>Tikkun.<\/em> November 29, 2023.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMore Fully, More Delicately Alive with Jane Hirshfield.\u201d <em>The Writer\u2019s Chronicle.<\/em> September 2023.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Art of Living: A Conversation with Chimamanda Adichie.\u201d <em>The Writer\u2019s Chronicle. <\/em>April 2023.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cCathleen Schine and the Comic Tradition.\u201d <em>The Writer\u2019s Chronicle.<\/em> September 2022.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c<a href=\"https:\/\/orionmagazine.org\/article\/beautiful-impermanence-an-interview-with-sculptor-patrick-dougherty\/\">Beautiful Impermanence: an Interview with Sculptor Patrick Dougherty<\/a>.\u201d <em>Orion<\/em>. June 2022. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cDorianne Laux, Elegiac Witness.\u201d <em>The Writer\u2019s Chronicle<\/em>. 54.2 (November 2021). 16-25.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cLove is the Great Subject with Rebecca Newberger Goldstein.\u201d <em>ASAP\/Journal<\/em> 6.1 (January 2021). 29-48.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cConcrete Breathes: A Conversation with Ledelle Moe.\u201d <em>Another Chicago Magazine<\/em>. October 15, 2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cContradiction Is Not Disappointing: an Interview with Michael Hardt.\u201d <em>Capitalism Nature Socialism<\/em>. 31:3 (August 2020). 42-58.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cDreaming the Real with Marianne Boruch.\u201d <em>The Writer\u2019s Chronicle<\/em>. 52.3 (February 2020). 18-26.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c<a href=\"https:\/\/www.academia.edu\/43706425\/Science_and_Social_Change_A_Conversation_with_Robert_Sapolsky\">Science and Social Change: A Conversation with Robert Sapolsky.<\/a>\u201d <em>ISLE. <\/em>26.3 (Summer 2019). 793-808.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c\u2018Never Waste a Good Crisis;\u2019 an Interview with Mary Mellor.\u201d <em>Capitalism Nature Socialism<\/em>. 30.4 (December 2019). 44-54.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cHints of Insurrection: A Conversation with Stephen Dunn.\u201d <em>The Georgia Review<\/em>. (Summer 2018). 72.2.&nbsp;414-428.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c\u2018<a href=\"https:\/\/www.radicalphilosophy.com\/interview\/the-realism-of-our-time\">The Realism of Our Time\u2019: An Interview with Kim Stanley Robinson.<\/a>\u201d <em>Radical Philosophy.<\/em> 2.1. 2017.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c\u2018What We Talk About When We Talk About Culture:\u2019 Frans de Waal on Science, Morality, and the Human Animal.\u201d <em>Green Letters. <\/em>21.2 (2017). 199-212.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe Universe Is Imaginative: the Art of David Robertson.\u201d <em>Western American Literature.<\/em> 52.3 (Fall 2017). 243-266.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThis <em>Still<\/em> Present Moment: An Interview with Gary Snyder.\u201d <em>North American Review<\/em>. 301.4 (Fall 2016). 41-47.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Helena Feder has published essays, interviews, and poems in venues including North American Review, The Georgia Review, Radical Philosophy, Orion, ISLE, ASAP\/Journal, The Writer&#8217;s Chronicle, Another Chicago Magazine, After the Art, Guernica, Green Letters, Western American Literature, Tikkun, The Branches, Critical Read, and Terrain.org. Helena is Professor of Environmental Humanities at ECU and Editor of&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-69","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/helenafeder.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=69"}],"version-history":[{"count":5,"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages\/69\/revisions"}],"predecessor-version":[{"id":333,"href":"https:\/\/helenafeder.com\/index.php?rest_route=\/wp\/v2\/pages\/69\/revisions\/333"}],"wp:attachment":[{"href":"https:\/\/helenafeder.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}